Painting progress. This one's a wrap, which feels GREAT.
(You can see that the color is a little different on the shot of the final piece--that's because I documented it in my studio with cloudy ambient daylight--as opposed to propping it up on the back of my couch next to a lamp, at midnight!)
In case you are curious: the setting is a combination of spaces I experienced in Utah: some of the massive warehouses left empty on the airfield in Wendover, and one of Nancy Holts' Sun Tunnels. My friend Lauren Greenwald plays both characters.
Now...on to the next.